Re: My Script
From: | Kristian Jensen <kljensen@...> |
Date: | Sunday, June 27, 1999, 14:59 |
list James E. Hopkins wrote:
>Kristian wrote that a script without glitches and irregularities=20
>seems too "constructed". Aren't all scripts constructed? But=20
>irregularities do have a way of creeping in.
Of course all scripts _were_ constructed. But, the thing about=20
'natural' scripts is that populations use it, not just a single=20
person. This tends to give scripts a 'life' of their own. There are=20
several factors in play here when whole populations are involved such=20
as language change, cultural influences, or adaptation to a foreign=20
language.
The Indic scripts are good examples of how scripts naturally develop.=20
None of them look at all like the original Brahmi script. Although=20
typologically equivalent, many have developed features that are=20
non-existent in the original or dismissed other features that were in=20
the original. And _all_ have developed certain peculiarities. Just to=20
name a few:
Buginese/Makassarese: Fails to mark gemination, glottalization, and=20
syllable-final nasals.
Burmese: Has an etymological orthography rather than phonemic.
Dehong: Fails to mark tone (but Western diacritics or letters being=20
experimented to represent tone). Syllable final /m/ represented=20
by a diacritic, while all other syllable final consonants=20
represented by independent graphs. Certain vowel and diphthong=20
distinctions underrepresented.
Javanese: Some letters only used for honorific purposes to be used=20
throughout a word of any honorific significance. Special=20
grpahemes also developed for poetic purposes marking the=20
beginning and end of a poem.
Khmer: Developed two parallel series of C graphemes where each series=20
have consequences for the representaion of Vs.
Lepcha: Once written vertically, but turned 90 degrees while the=20
orientaion of the graphs in a line remained unchanged. Has=20
independent signs for syllable final consonants used as=20
diacritics. Like Tibetan, independent V graphs have a common=20
element, and very etymological spelling rather than phonemic.
Philippines: Failure to mark syllable final consonants.
Thai: Developed different classes of Cs for representation of tones.
Tibetan: Unlike most other Indic scripts, independent V graphemes=20
have a common element. Length not distinguished (except in loan=20
words where the graph for /ha/ is used as a subscript). Very=20
conservative spelling - etymological spelling represents sounds=20
no longer present (eg. /gye/ spelled <ba-rgya-da>).
Maybe some of these peculiarities can serve as inspiration for=20
conlangers designing a script?
-kristian- 8)