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Re: My Script

From:Kristian Jensen <kljensen@...>
Date:Sunday, June 27, 1999, 14:59
list James E. Hopkins wrote:

>Kristian wrote that a script without glitches and irregularities=20 >seems too "constructed". Aren't all scripts constructed? But=20 >irregularities do have a way of creeping in.
Of course all scripts _were_ constructed. But, the thing about=20 'natural' scripts is that populations use it, not just a single=20 person. This tends to give scripts a 'life' of their own. There are=20 several factors in play here when whole populations are involved such=20 as language change, cultural influences, or adaptation to a foreign=20 language. The Indic scripts are good examples of how scripts naturally develop.=20 None of them look at all like the original Brahmi script. Although=20 typologically equivalent, many have developed features that are=20 non-existent in the original or dismissed other features that were in=20 the original. And _all_ have developed certain peculiarities. Just to=20 name a few: Buginese/Makassarese: Fails to mark gemination, glottalization, and=20 syllable-final nasals. Burmese: Has an etymological orthography rather than phonemic. Dehong: Fails to mark tone (but Western diacritics or letters being=20 experimented to represent tone). Syllable final /m/ represented=20 by a diacritic, while all other syllable final consonants=20 represented by independent graphs. Certain vowel and diphthong=20 distinctions underrepresented. Javanese: Some letters only used for honorific purposes to be used=20 throughout a word of any honorific significance. Special=20 grpahemes also developed for poetic purposes marking the=20 beginning and end of a poem. Khmer: Developed two parallel series of C graphemes where each series=20 have consequences for the representaion of Vs. Lepcha: Once written vertically, but turned 90 degrees while the=20 orientaion of the graphs in a line remained unchanged. Has=20 independent signs for syllable final consonants used as=20 diacritics. Like Tibetan, independent V graphs have a common=20 element, and very etymological spelling rather than phonemic. Philippines: Failure to mark syllable final consonants. Thai: Developed different classes of Cs for representation of tones. Tibetan: Unlike most other Indic scripts, independent V graphemes=20 have a common element. Length not distinguished (except in loan=20 words where the graph for /ha/ is used as a subscript). Very=20 conservative spelling - etymological spelling represents sounds=20 no longer present (eg. /gye/ spelled <ba-rgya-da>). Maybe some of these peculiarities can serve as inspiration for=20 conlangers designing a script? -kristian- 8)