Re: COMMENTS: Hiksilipsi Tone
From: | Philip Newton <philip.newton@...> |
Date: | Friday, April 19, 2002, 4:52 |
On 17 Apr 02, at 15:46, jesse stephen bangs wrote:
> Nothing in particular marks the tone break, except in orthography (and
> maybe not even there. I haven't really worked out orthography yet.) It's
> idiosyncratic and lexically specified, like stress in English, and it may
> come before or after the whole word. For example, all of the following
> would be valid tone patterns for a three-syllable word (the pipe marks
> the tone break):
>
> |lo-lo-lo hi-|lo-lo hi-hi-|lo hi-hi-hi|
That reminds me of Japanese pitch accent (which I never learned during
the four or so years where I learned Japanese): I found it interesting
when I learned later that the tone break may occur after the word
itself -- so that the word can influence the pitch of a following
particle.
Do you have neutral (probably monosyllabic) particles / postpositions /
whatever as well, which are usually high, but are low if they
immediately follow a word-final tone break? That is, they have no
"built-in" pitch but assume a high one as the natural beginning-of-word
pitch except when they follow a tone break which forces the neutral
pitch to become low?
Cheers,
Philip
--
Philip Newton <Philip.Newton@...>