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Re: OFF-TOPIC: Non linguistics books by Chomsky

From:Peter Bleackley <peter.bleackley@...>
Date:Monday, May 24, 2004, 8:48
Staving Danny Wier:
>From: "Steve Cooney" <stevencooney@...> > > > In light of this above sentiment, I wonder if the > > subject of this thread would better be generalized to > > something like "Changing One's Mind: Good or Bad?" or > > "Making Corrections: Sign of a Flawed Charachter?" > > > > If there are any merits at all for the notion of > > 'never admitting a mistake' (especially for public > > figures), then I will leave it to others to claim > > them. > >This idea could apply to things like... designing a conlang! I'd say going >either extreme is bad. > >One extreme would be in being rigid and never being willing to edit or >improve your own work, even if it makes you look wimpy. I see nothing wrong >with composing a symphony, and then later in life, 'recomposing' it with >some improvements, or at least changing a few things because the composer >feels like it. As long as the composer makes the original version available >since it might've already drawn a huge fan base which would not approve of >any changes. > >The other extreme (the trap I keep falling into): do something, make a >statement on dogmatic level about it, then decide I don't like it then start >over and come out saying I was wrong, this is the way it should be, then >changing it back to the way it was originally. This is okay with my own >conlang project, since my ongoing research keeps turning up new stuff, and I >am trying to conceptualize what the 'language of the angels' (as well as >other things like how angels play music in just intonation) might be. Bad in >politics or any time someone is speaking frequently at universities.
I am not the only conlanger who has employed the technique of "Make creative use of your mistakes." For instance, I once discoverd that I had created two different words for "name" in Khangaþyagon. On further reflection, I discovered that "ðekh" is the name considered simply as a reference to a person or thing, whereas "men" is a name which describes some important aspect of a person. For example, every wizard has a "bukhmen", or ritual name, which refers to the act by which he first realized his magical powers. A more familiar example of the difference is in the biblical passage, "Simon son of John, you are a happy man, for it was not flesh and blood that made this known to you, but my Father in Heaven. You are Peter, and on this rock I will build my Church." Here "Simon son of John" is a ðekh, whereas "Peter" is a men. Pete