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Re: CHAT: EU allumettes (was: Re: THEORY/CHAT: Talmy, Jackendoff and Matchboxes

From:J Y S Czhang <czhang23@...>
Date:Tuesday, May 4, 2004, 20:11
In a message dated 2004:05:04 09:50:24 AM, andjo@FREE.FR writes:

>Quoting J Y S Czhang <czhang23@...>: > >> I am of the opinion that a conlanger's methodical morphosyntactic >> approach is the only way to go about creating a realistic auxlang worth >> considering (or at least "neat")- and it seems the general and mutual
consensus >>here is that a pidgin-creole type auxlang-conlang is prob'ly the best bet and/or
>>the most fun ;) If any one happens to think otherwise - partly or wholly,
please
>>post an explanatory rebuttal - this could be interesting... hehe... > >Orthodox Auxlangism has yet to convince me that ease of learning should >be a priority in the design of an international language.
Me, too. I think there is a rather critical bit of difference 'tween "ease of learning" and "relative ease of usage and creativity"* or "fun". * or rapid deployment/use and expandibility If an auxlang has "relative ease of usage and creativity" _and_ "fun" as planning and design imperatives, then that auxlang might attract the attention and fairly large followings that Klingon and Tolkien languages have (and conlanged imitations thereof). Klingon and Tolkien languages are _not_ in any way exemplars of "Orthodox Auxlangism" and their _ideé fixe/ideé reçue_ of "ease of learning." --- º°`°º ø,¸¸,ø º°`°º ø,¸¸,ø º°`°º ø,¸¸,ø º°`°º º°`°º ø,¸~-> Hanuman "Mister Sinister" Zhang, Sloth-Style Gungfu Typist - "the sloth is a chinese poet upsidedown" --- Jack Kerouac {1922-69} <A HREF="http://www.boheme-magazine.net">=> boheme-magazine.net</A> "Poems are sketches for existence." - Paul Celan "...make things/touch and radiate in the mind..." - Kenneth White "One thing foreigners, computers, & poets have in common is that they make unexpected linguistic associations." --- Jasia Reichardt "There is no reason for the poet to be limited to words, & in fact the poet is most poetic when inventing languages. Hence the concept of the poet as 'language designer'." --- O. B. Hardison, Jr. "Poetic creation still remains an act of perfect spiritual freedom. Poetry remakes & prolongs language; every poetic language begins by being a secret language, that is, the creation of a personal universe, of a completely closed world." - Mircea Eliade = maeci legosetplex caca plus debri ! prizerva. saalva. ricue. scopé:gomi plus riçyc'l ! = English translitteration of the above _dzjunk:lego_, "junk language": "Fight {Maquis/-machy} Linguistic Waste & Trash! Save, Salvage, Recover, (creatively)Scavenge-Found-Objects & Recycle!"