From: | Douglas Koller, Latin & French <latinfrench@...> |
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Date: | Thursday, January 9, 2003, 18:33 |
John writes:>Oh, OK, no problem. Sounds like you're numbering the four yin tones 1-4 >and the yang tones 5-8, with 6 (my 4) merged with 2 (my 3).Yes, that's right. Here's what I found for Taiwanese: 1 yin ping 2 yin shang 3 yin qu 4 yin ru (clipped) 5 yang ping 6 yang shang (here, the dictionary says: "Yinyang bu fen." or "There no distinction between yin and yang (shang)." [ie: 2 and 6 are the same]) 7 yang qu 8 yang ru (clipped) As it morphs into Mandarin: 1 yin ping => M1 2 yin shang => M3 3 yin qu => M4 4 yin ru => M1,2,3, or 4 5 yang ping => M2 6 yang shang => M3 7 yang qu => M4 8 yang ru => M2 or 4 (ie. yang ping and yang qu) For Shanghainese, I found: 1 yin ping (quelle surprise) 2 yin qu 3 yang qu 4 yin ru (glottal stop) 5 yang ru (glottal stop)>So, here's >my Universal Tone Map. U=universal, MC=Middle Chinese, M=Mandarin, >C=Cantonese, T=Taiwanese, S=Shanghainese. > > ping shang qu ru >high U1 M1 C1 T1 S1 U3 C2 U5 C3 T3 U7 C1/C3 T4 >unsplit MC1 MC3 M3 T2 S3 MC5 M4 S3 MC7 >low U2 M2 C4 T5 S2 U4 C5 U6 U8 C6 T7 U8 C6 T8I made something similar (though I'm a little confused by the high/low terms) and I think I squeezed Hakka into the mix. I saw it recently as I was cleaning out my den. If it resurfaces, I'll share. Kou
John Cowan <jcowan@...> |