Re: The Language Code
From: | Dirk Elzinga <dirk_elzinga@...> |
Date: | Friday, May 23, 2003, 22:20 |
On Friday, May 23, 2003, at 12:24 PM, Nokta Kanto wrote:
> I like the code idea for its concise summation of things. OTOH,
> anything
> that looks like PERL is suspect.
Does it look like Perl? It's not intentionally so.
> It's worth it because I get to say !P if nothing else.
:-)
>> T type
>> f fictional
>> l logical
>> x auxiliary
>> p personal
>> n natural
> I'd add the subjective completeness of the language c (+/-),
> expressing how
> stable and complete the language is. For example c means the language
> is at
> the level of dick-jane-spot sentences. Spot spots pots poised on posts'
> tops. Spot opts to topple said pots. Stop, Spot, stop! Spot stops
> tossing
> pots. Stupid Spot. *ahem* Minuses mean the language is still in a
> state of
> flux, and pluses mean the author is quite sure of its language, and
> understands it well.
I don't think that this would be as useful; if a language has a
negative value for completeness, any typological information about it
is likely to be inaccurate and subject to change. That would defeat the
purpose of the code, which should provide a typological profile of the
language.
> I would add a writing section. Something like this?
>> P phonology
>> w writing
>> r (+/-) regularity/irregularity. Are there lots of exceptions,
>> esoteric or etabnannic writing rules?
>> c uses a consript to write
I like this, but I think it should get its own Capital letter ordered
after Phonology:
W Writing
And more categories:
t type of script
f featural
c abjad (Consonantal)
g abugida
a alphabetic
d (Devanagari-style script -- what's the term?)
s syllabic
l logographic
(or something along those lines)
>> S syntax
>> b basic word order
> If there are multiple orderings, can they be separated with commas?
Sure.
> Tf !P Mai++f-ht/m7a2c~14g25+ Sb#arga Lc+++d-~150
Don't forget the language name in front!
Thanks for the comments.
Dirk
--
Dirk Elzinga
Dirk_Elzinga@byu.edu
"I believe that phonology is superior to music. It is more variable and
its pecuniary possibilities are far greater." - Erik Satie
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