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Re: The Language Code

From:Dirk Elzinga <dirk_elzinga@...>
Date:Friday, May 23, 2003, 22:20
On Friday, May 23, 2003, at 12:24  PM, Nokta Kanto wrote:

> I like the code idea for its concise summation of things. OTOH, > anything > that looks like PERL is suspect.
Does it look like Perl? It's not intentionally so.
> It's worth it because I get to say !P if nothing else.
:-)
>> T type >> f fictional >> l logical >> x auxiliary >> p personal >> n natural > I'd add the subjective completeness of the language c (+/-), > expressing how > stable and complete the language is. For example c means the language > is at > the level of dick-jane-spot sentences. Spot spots pots poised on posts' > tops. Spot opts to topple said pots. Stop, Spot, stop! Spot stops > tossing > pots. Stupid Spot. *ahem* Minuses mean the language is still in a > state of > flux, and pluses mean the author is quite sure of its language, and > understands it well.
I don't think that this would be as useful; if a language has a negative value for completeness, any typological information about it is likely to be inaccurate and subject to change. That would defeat the purpose of the code, which should provide a typological profile of the language.
> I would add a writing section. Something like this? >> P phonology >> w writing >> r (+/-) regularity/irregularity. Are there lots of exceptions, >> esoteric or etabnannic writing rules? >> c uses a consript to write
I like this, but I think it should get its own Capital letter ordered after Phonology: W Writing And more categories: t type of script f featural c abjad (Consonantal) g abugida a alphabetic d (Devanagari-style script -- what's the term?) s syllabic l logographic (or something along those lines)
>> S syntax >> b basic word order > If there are multiple orderings, can they be separated with commas?
Sure.
> Tf !P Mai++f-ht/m7a2c~14g25+ Sb#arga Lc+++d-~150
Don't forget the language name in front! Thanks for the comments. Dirk -- Dirk Elzinga Dirk_Elzinga@byu.edu "I believe that phonology is superior to music. It is more variable and its pecuniary possibilities are far greater." - Erik Satie

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Mark J. Reed <markjreed@...>