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Re: Toki Pona Script

From:Yahya Abdal-Aziz <yahya@...>
Date:Thursday, August 3, 2006, 3:36
[Repeating a reply made directly to Sai.  It seems the Reply-to
on my previous message was wrong, so Sai had replied to me, as
had Henrik.]

On Tue, 1 Aug 2006, Sai Emrys wrote:
> > > However, for handwritten use, many of the symbols are too > complex to write quickly and too rectilinear to readily > approximate cursively. Ideally, I think, a practical script for > any language will enable quick and fluid reading and writing. > And it doesn't hurt if it looks beautiful, too, but that's a bit > harder to achieve. > > Perhaps have a separate variant of the script for handwriting? > > I at least see no need to impose handwriting limitations on > computer-use script, or vice versa.
Hi Sai, How's everything? Hope you're meeting some success in your hunt for a job or academic position that suits your strengths and interests. Let me start with your second point first:
> I at least see no need to impose handwriting limitations on computer-use
script, or vice versa. Nor I, especially where such a script is intended only for use on computer. Regarding your first point:
> Perhaps have a separate variant of the script for handwriting?
Why not? However, for a script that one intends also for handwriting, it would still make sense to have the computer, print and handwritten letterforms substantially similar, to minimise any potential confusion through "cognitive dissonance". Another, similar consideration for handwritten forms is that they ought to be readily adaptable to different writing instruments, eg fineline ballpoint, fineline or chiselpoint felttip, calligrapher's (eg copperplate) nib, quill, brush, etc, without loss of significant detail. And as far as possible, such handwritten scripts should be both beautiful and ergonomic. However, none of these considerations would prevent anyone from creating a script suitable only to one or a few means of production. Have you ever done any calligraphy, or written with a brush, eg sumie? Personally, I find producing an admirable quality of calligraphic work in Latin and Gothic scripts to be more tedious and time-consuming than the output warrants, so I haven't done any of that for years. However, writing with a brush is capable of creating works that are at once organic and intelligent, and of the highest artistic perfection. I would return to doing sumie, which I studied years ago, if I could spend enough time on it to satisfy my own standards. Regards and best wishes, Yahya ------------------------------------------------ Yahya Abdal-Aziz Yahya@MelbPC.Org.Au Melbourne PC User Group Convener, Graphics Interest Group Convener, Music Interest Group ------------------------------------------------