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Re: What criteria do you have for your own or others' languages?

From:Mia Soderquist <happycritter@...>
Date:Thursday, December 7, 2006, 1:17
----- Original Message -----
From: "Sai Emrys" <sai@...>
To: <CONLANG@...>
Sent: Wednesday, December 06, 2006 3:27 AM
Subject: What criteria do you have for your own or others' languages?


> > Please list, in your own words (preferably detailed) what criteria you > apply to conlangs to judge them to be (in your opinion / for your > purposes) "better" or "worse", or more or less "likable" or > "impressive" etc etc. They can be subjective, objective, or both. > >
I create fictional languages for fictional people and "toy" languages for real people. I like conlangs that are at least complete enough that one could hold a conversation or tell a story in them. In fact, a conlang gets extra gold stars in my book if the creator has written stories, songs, poetry or instructional materials in or for the language. I like languages with creative idioms and metaphors built in. If there's a conculture attached, that is also a plus, because it gives context for those idioms and metaphors, as well as a particular context for talking about the language. Phonology is probably the part of conlanging that I care the least about. There are very few languages, con- or otherwise, that I don't enjoy hearing, and a project of my own design either sounds right to me or it doesn't. I like conlangs that have little irregularities, whether they were originally intentional or not. I like languages that are serious, as far as being made to be as "real" as possible, as though they were really spoken by Such-and-such a tribe on a small island on Planet So-and-so. I also enjoy other languages that have their less serious moments. I find in-jokes, puns, odd borrowings and other humourous bits in conlangs to be delightful, like finding candy in your pocket. I don't really care to maximise the "exotic" factor, but I do like trying to take some chances with unusual grammatical features, even if it turns out that it was better in theory than in practice, causing a major revision along the line. I think it is interesting in my own languages and in the languages of others to see semantic space diced up in ways that make me think or that are very different from the natlangs I know. I don't really care so much for languages derived from real world languages. I just don't. I find that I am happier when I don't worry very much about what other people think of my projects, since they only purpose they serve for me is to make me happy. I try to look at the work of others in the same light, but when I see a conlang that is really well fleshed out, I can't help but admire it. ...Mia.