Re: CHAT: A flat minor (was: ATTN: Pablo Flores (VIRUS WARNING))
From: | Nathaniel G. Lew <natlew@...> |
Date: | Tuesday, October 22, 2002, 0:41 |
I would have to check to be certain, but I believe that the most often-
cited example of the serious use of A-flat minor in the literature is a
fugue in that key that Brahms wrote while he was doing his "correspondence
course" in counterpoint and fugue with Joseph Joachim. Poor Joachim; he
was hopelessly outclassed. Can you imagine sending fugues back and forth
in the mail with Brahms? The A-flat-minor fugue, I believe, finally drove
Joachim to call the whole thing off. It is an organ work, long, intense,
and difficult, and as I remember, it modulates quite seriously into the
relative major of C-flat. One organist I spoke to said that the piece
would be easier if a publisher would just reprint the whole thing in G-
sharp minor.
The one composer I can think of who lands in A-flat minor with any
regularity is probably Janacek (sorry for the lack of diacritics), who has
a tendency to modulate down the circle of fifths, and usually refused on
principle to make enharmonic shifts. (Precise note-spelling mattered a
lot to him.) As a result, passages in double-flats come around quite
often. Again, I would have to check, but I believe that the wind sextet
Mladi contains passages in A-flat minor.
(No prizes for guessing what I do when I am not conlanging.)
- Nat
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