Re: Poetry: alliteration
From: | Patrick Dunn <tb0pwd1@...> |
Date: | Thursday, January 6, 2000, 17:43 |
On Wed, 5 Jan 2000, FFlores wrote:
> I'd like to know what alliterative verse is. I have a
> nebulous idea of sounds being echoed throughout a
> poem, but what are the rules? When does this 'echo'
> stop being a simple poetic device to become a genre?
>
> All this is because of an alliterative poem I read, in
> Tolkien's _Unfinished Tales_, 'The Istari':
>
> Wilt thou learn the lore / that was long secret
> of the Five that came / from a far country?
>
> etc. If any of you can give another example, I'd be grateful.
> I understand that OE poetry was based on alliteration, am
> I right? I'm trying to produce some of this in Draseléq, since
> sheer metrics and/or rhyme don't favour my muse...
Old English alliteration and meter is complicated. Approximately, it
consists of four stressed units per line, with a caesura between them (a
pause in the meter). Three of the four stressed units alliterate. If I
remember correctly, the second and final stressed units *must* alliterate.
Could be wrong on that.
Alliteration, very simply, is the repetition of sounds. This can be
broken into either consonence or assonance. In consonance, a consonant
sound is repeated:
rare is the rage // of random delight,
hungry the hope // of hoary despair.
This is initial illiteration -- the first sound of the words alliterates.
You can also have internal illiteration, whcih is much more subtle:
untie my truth // my tongue unbind
The rule is that usually the first sound of the stressed syllable of a
word alliterates. Here, unTIE.
Now, assonance is "vowel rhyme". This can be initial, but usually aren't
(in OE poetry, all vowels are considered to alliterate).
An example of assonance:
I kissed, audaciously, your jaw.
^^ ^^
Or:
over my hope, o, heavens, arch
--Pat