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Re: query: distorted languages?

From:Jonathan Chang <zhang2323@...>
Date:Wednesday, August 30, 2000, 4:43
In a message dated 2000:08:29 7:07:01 PM, yl112@CORNELL.EDU writes:

>ObConLang: have any of y'all incorporated that sort of pejoration >process? It honestly hadn't been something I'd thought about
<SNiP> I.E.: In Caos Pidgin - since it is a paracultural language that is highly opposed to the _status quo_ of Globalist Pop Culture - one uses the word _musica_ for all traditional & conventional types of music... two neologisms (one literally meaning "sound-creation" and another "sound-divine-play") are preferred for all sonic creativity within _Caos Cultura_: - _sonocreati_ - _sonolila_ {_lila_ from Sanskrit} Think of this as arising out of a paraculture highly influenced by anarchism, Futurism, Dadaism, Fluxus, Chaos science and _gungfu_ Taoism. (There is a bit of a CyberPunkishness to this mix, too) Sonic creativty is a major aspect of this paraculture... I am thinking up various metaphors for this highly sound-obsessed paraculture. ALSO always welcoming additions to my collection of onomatopoeia... especially of an odd electronic & "science fiction aesthetic" sound-symbolism nature (recent favourite is the Vorlin _zuz_ IIRC for "buzz"). ALSO I am still collecting words from other languages for a translation of "toy piano". czHANg << One thing foreigners, computers, & poets have in common is that they make unexpected linguistic associations. >> * Jasia Reichardt - creative cyberneticist *