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Re: basic vocab

From:dirk elzinga <dirk.elzinga@...>
Date:Friday, September 15, 2000, 20:39
On Fri, 15 Sep 2000, Roger Mills wrote:

> >On Thu, 14 Sep 2000, Mario Bonassin wrote: > >> Do any of you have a special list of words that you use to start > >> creating root words or basic vocab for your various conlangs, or do you > >> use a text of something, or do you have another way of deciding what > >> words to create, aside from just going through a dictionary? > > My own rather nuts-and-bolts approach: After writing up the basic phonology > and enough of the grammar of Kash to have a firm idea of how things should > sound/act, I had about 200 basic words. I then used Jeffrey Henning's > Langmaker program to generate a lot of possible phonological words, then > started assigning meanings in fairly haphazard way, mostly going by various > semantic fields-- i.e things around the house, body parts, the natural world > etc., number system, adjectives in various fields, plus opposites, verbs in > various fields. How well this would work with a language more > phonologically and derivationally complex than Kash, I don't know. But one > advantage to generating the forms first is that you avoid the seemingly > natural tendency to favor particular sounds, or to accidentally assign two > meanings to one form.
This is how I did Tepa as well. But I've noticed that in natural languages there will be certain phonotactic sequences that appear relatively frequently, while others, though possible, appear infrequently or not at all (the accidental gap syndrome). I didn't get that quite right in Tepa when I generated the list of possible Tepa roots; my list had all phonotactic sequences for mono- and disyllabic roots equally represented. (I think LangMaker has a way to encode numerically prominent phonotactic sequences.) When mapping meanings to roots, I found myself unconsciously selecting certain types of roots over others (eg; roots ending in -u are not as common in Tepa as roots ending in other vowels, though there is not phonotactic prohibition against it). This process has given Tepa a perhaps more natural feel. In fact, I'm wondering now if it wouldn't have been better (if more tedious) to create words on the fly rather than selecting from a automatically generated list. It certainly would have revealed some interesting things about my phonotactic predilections ... Dirk -- Dirk Elzinga dirk.elzinga@m.cc.utah.edu