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Re: CHAT: conlang and alternate tuning WAS: from the ashes...

From:Christophe Grandsire <christophe.grandsire@...>
Date:Wednesday, January 9, 2002, 18:59
En réponse à William Annis <annis@...>:

> > Well, the theory for this sort of microtonal music is a little > harder to come by. :) http://www.dnai.com/~jinetwk/whatisji.html is > a good start. I've been interested in this myself for quite some > time, though my approach from electronica, so I have some Python code > to make intonational tinkering easier and a few web pages explaining > how to make a certain powerful software synth (Reaktor) speak in Just > Intonation. >
Well, I read the page, and though I understand the principle, I still don't understand the implications (the intervals must be expressed as ratios of whole numbers, but compared to what? And what is really a temperament?). Maybe an example would be welcome. Since the last conlang I created is accompanied with a conculture which has absolutely nothing to do with European culture, I'd like to come up with a musical scale which is original for them :)) .
> > It occurs to me that there are *several* conlanger who are > into alternative tuning systems in music. This is curious, but I > think the tinkering conlangers do translates well to the processes of > most alt-tuning people: you get to do even *more* tinkering with the > scales and harmonies for a new piece of music. Make your own > language, make your own musical system. >
It seems indeed that there is the same relationship between making a language and writing poetry, and between making a musical scale and writing music :) . Christophe. http://rainbow.conlang.free.fr Take your life as a movie: do not let anybody else play the leading role.