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Re: WC8 (was Re: TECH: Testing again etc.)

From:Paul Bennett <paul-bennett@...>
Date:Thursday, November 20, 2003, 21:39
On Thu, 20 Nov 2003 09:45:40 +0200, Isaac Penzev <isaacp@...> wrote:

> Paul Bennett scripsit: > >> One theory I was tinkering with was to use Italics instead of acutes, >> and >> Bold instead of under/overdot, but that's even less email-friendly. > > Bad idea. To represent the real thing, use plain text Unicode. For > practical > purposes, make ASCIIfication (in fact, you already have it).
Yes. Point taken.
>> Comments, questions? > > 1. Think how to use _c_ more extensively; I've found it only in digraph > _ct_.
And č. It's in ct because it's like k but not k. It's in č because that's traditional.
> 2. Why use digraphs at all? > My suggestions: > kt > ƙ (K-wth-hook, U+0199) > ct > ƶ (Z-with-stroke, U+01B6)
Huh? k-with-hook I can get, but whence z-with-stroke? Also, might that get confuzing in handwriting styles that automatically cross z's? Maybe I could go for ! as click, which is fairly traditional. I was trying to aim for something that could ASCIIfy quite smoothly.
> lh > ľ (L-caron) > dlh > λ (Greek lamda, U+03BB)
Why lamda? Is that a usual romanisation of that sound that I'm not aware of?
> And, avoiding extra acutes: > t' > ť (T-caron) > d' > ď (D-caron) > k' > ķ (K-cedilla) > g' > ģ (G-cedilla)
t-caron and d-caron I can get on board with as being graphically easier on the eye than t-acute and d-acute. k-cedilla just doesn't inspire me g-cedilla looks enough like g-acute that the difference is lost on me in this font Paul

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Isaac Penzev <isaacp@...>