Re: Another Introduction

"Alex Fink" <a4pq1injbok_0@...>
 > [ . . . ]  My most current is a logical binary language (yet unnamed,
though
>I suppose I could refer to it as 000100111100110100100101111 'the language
> which this text is in').
    ::looks to ChristopheG. ::  :::runs & hits the Borg Alert button:::

    ::BiG GRiN::

---
Hanuman Zhang, the "Yves Klein Bleu Aardvark"

Brett Campbell writes:
>>"After prolonged exposure to the rich, kaleidoscopic world of microtones,
>>returning to equal-tempered music was for me like going back to black and
>>white after spending a weekend immersed in color".
    What strange risk of hearing can bring sound to music - a hearing whose
obligation awakens a sensibility so new that it is forever a unique, new-born,
anti-death surprise, created now and now and now. .. a hearing whose moment in
time is always daybreak.  - Lucia Dlugoszewski

"The wonderousness of the human mind is too great to be transferred into
music only by 7 or 12 elements of tone steps in one octave." - shakuhachi master
Masayuki Koga

"There's a rabbinical tradition that the music in heaven will be microtonal
=)"  - one annotative interpretation of Talmudic writings

"I have the feeling that the English word 'noise' has more negative
connotations than our German word 'Gerausch'.  We would describe the sound of wind
blowing as Gerausch, to imply that it's a beautiful and natural sound.  ...I make
noise...I like these sounds and this has nothing to do with 'anti-beauty'" -
Helmut Lachenmann

NADA BRAHMA - Sanskrit, "sound [is the] Godhead"
LILA - Sanskrit, "divine play/sport/whimsy" - "the universe is what happens
when God wants to play" - "joyous exercise of spontaneity involved in the art
of creation"

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