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Re: NATLANG: Vowel harmony rules?

From:Racsko Tamas <tracsko@...>
Date:Thursday, June 17, 2004, 22:04
On 16 Jun 2004 David Peterson <ThatBlueCat@AO...> wrote:

  I am supposing that "Turkish" means Osmanli Turkish here.

> Turkish's underspecified vowels are capital A and capital I.
There is a third type in Osmanli: A+I. This means that there is a close-open harmony axis, too. The most significant representant of this type is the marker of "genis, zaman" ("General Present" [I do not know its ordinary English translation]), as well as the homophonic suffix of the present participle. The close-open harmony is not related to the vocalic structure of the words but it is a lexical attribute of the stems. Normal stems require close suffix vowels, in this case an I-type one <-1r, -ir, -ur, -u:r>. The so-called "lowering" stems govern open vowels, (=articulated by low tongue position), that is A-type <-ar, -ir>. (N.B. vowel-final stems bear non-vocalic <-r>). Despite of the fact that lowering--non-lowering harmony is a lexical feature, we can predict it: lowering stems are one-syllable consonant- final verbal stems, expect when final consonant is <-l> or <-r> and there are four additional verbs ending in <-n> that are non-lowering (<san-, yen-, den-, kon->). (N.B. "Lowering" stems a new Hungarian theory, I applied it to the Turkish.)
> *However*, Turkish has one extra interesting facet. Specifically, if > a word ends in a palatalized consonant (I believe only k, g and l can do > this?), then it will spread a [-back] feature, even if the vowel before > it is [+back].
According to my knowledge, <k>, <g> and <l> is palatalized before circumflexed <a^> and <u^>. I was unable to find words with ending <-ka^, -ga^, -la^, -ku^, -gu^, -lu^> in my dictionary, though, therefore I could not test this type of vowel harmony. However in Chuvash back stems may end in palatalized <-n'>, <-l'> and they behave as you described. In Turkic language, the harmony valence of the anti-harmonic words (containing both back and front vowels) are determined by their last stem vowel, e.g. Osmanli Turkish <esas ~ esas|lar> 'base ~ bases'. The Chuvash vowel harmony rules in brief: - Vowels can be back: <a> /a/, <u> /u/, <i:> /1/, <a(> /@\/; or front: <e> /e/, <u:> /y/, <i> /i/, <e(> /@/. (In Viryal dialect there are additional vowels: back <o> /o/, <o(> /8/ and front <o:(> /3\/) (N.B. Letters with breve accent <(> are reduced vowels, they could be also written in X-SAMPA as /a_X/, /e_X/, /o_X/ and /2_X/.) - Vowel harmony extends to consonants: consonants near front vowels are palatalized. - Palatalized /l'/ and /n'/ can occur in back-vowel stems. In word- final position they evoke front harmony. Therefore we can presume that word-final /l'/ and and /n'/ is followed by a "zero-vowel" which is front one. (The Cyrillic script of Chuvash reflects this situation: /l'/ and /n'/ is written by <l> and <n> resp. plus a soft yer.) - Chuvash suffixes can be homomorphic and dimorphic. - Homomorphic suffixes are (of course) anti-harmonic and they are contain always front vowels: a full <e> (e.g. nominal plural marker <-sem>) or reduced <e(> (e.g. Simple Future 3sg marker <-e(>). A third type could be the front "zero-vowel", because in Continuous Present, the third person singular is marked by the palatalization of the stem-final consonant, that is adding a soft yer in writing. - Dimorphic suffixes may contain alternating full vowels <a> and <e> (e.g. accusative-dative <-(n)a> ~ <-(n)e>) or reduced <a(> and <e(> (e.g. 2pl possessive marker <-a(r>, <-e(r>). That is, there is no labial harmony in Chuvash (cf. Osmanly Turkish I-type suffixes) [N.B. Probably Viryal has, but I do not know] The 2sg possessive marker is special because it has the back form <-u> and the from form <-u:> (AFAIK this is the only suffix of this type). - The 3sg possessive marker is originally homomorphic <-e(>, but assimilation takes place here which result in a trimorphic <-i> ~ <e(> ~ <-u> ending. (<-i> is "V" + <-e(> where "V" is vowel of the vowel-final stems, <-u> is a contraction of stem ending <-a(v> + <-e>). - After vowel-final stems some vowel-initial suffixes loose their initial vowel, while the others got a linking consonant between the two morphemes. --------------------------------- In terms of underspecified vowels, Hungarian is more complex than Turkic languages. To complete my synopsis on 2th May, we have the following types (feature mark [+lwr] denotes lowering stems): 1. [+back] <a> [O] ~ [-back] <e> [E] 2. [+back] <o> [o] ~ [-back +labial] <o:> [2] ~ [-back -labial] <e> [e] 3. [-lwr] type #1 ~ [+lwr] type #2 4. [+back] <u> [u] ~ [-back] <u:> [y] 5. [+back] <a'> [a:] ~ [-back] <e'> [e:] 6. [+back] <o'> [o:] ~ [-back] <o"> [2:] 7. [+back] <u'> [u:] ~ [-back] <u"> [y:] and an odd type 8. [+back] <ja> [jO] ~ [-back] <i> [i] Comments: - There is an old pronunciation difference between lexeme <e> in type #1 and type #2 (open [E] vs. close [e]) but this is neutralized in [E] in the modern standard (however, my dialect still keeps the difference). - Lowering stems are nearly unpredictable in Hungarian, however nouns are usually non-lowering, while adjectives are lowering: this is true also when an adjective is used as a noun, e.g. <A vo:ro:so:k vo:ro:sek> 'The Reds [=Communists] are red'. Verbs do not know type #3. Note that not just stems but non-terminal suffixes can be lowering or non-lowering in Hungarian, e.g. plural marker <-k> is lowering, cf. <vo:ro:so:k> 'reds (noun)' ~ <vo:ro:so:ket> 'reds (noun) + ACC' and not *<vo:ro:so:ko:t>. - The labial harmony is determined by the labiality of the last vowel of the stem (or of the last item of the suffix chain) but -- on the the contrary of Turkic languages -- Hungarian has no simple rules for back-front harmony valency. The basic information was drafted in my posting on 2th May. - There are a number of homophonic, anti-harmonic suffixes, when used in suffix chain, they do not change the harmonic valency of the word, e.g. <falu|si|ak> 'cuntry-folk' and not *<falu[si|ek>. - Some suffixes loose their (first) harmonic vowel before vowel-final stems (suffixes). ----- I used X-SAMPA notation in //'s and []'s, written data in <>'s contain flying accents: <(> for bereve, <:> for diaeresis (umlaut) and <'> for acute or apostrophe, and <"> for double acute.