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Re: Musical conlangs (was: Poetique)

From:John Cowan <cowan@...>
Date:Sunday, January 11, 2004, 20:32
Ray Brown scripsit:

> >>13. Finally, at sea, can beat a drum, strike a > >>bell, blow a whistle, blow > >>a hunting horn (cor de chasse [on a boat??]), > > > >Not ideal, as a cor de chasse does not have easy > >access to a diatonic scale! > > But ain't the French 'cor de chasse' sort of curly > and rather different from the hunting horn used in > the anglophone world?
It doesn't matter, since the horn is to be tooted on without regard to pitch, the same as the drum, bell, whistle, etc. IOW, this is another variant of tapping.
> Absolutely - I would think the idea of using cannon > for communication carries all sorts of risks.
Well, when guns are fired in salute, do they actually put payload (ball, shot, chain, etc.) in them? I suspect not. So the absence of splashes coming along with the booms would signify an intent to communicate. In fact, though, there is a perfectly workable and efficient international flag code, allowing one to communicate such perfectly useful messages as "Do you have any women on board?" and "Presence of rats suspected" with a mere 3-4 flags. -- Using RELAX NG compact syntax to John Cowan develop schemas is one of the simple http://www.reutershealth.com pleasures in life.... http://www.ccil.org/~cowan --Jeni Tennison <jcowan@...>

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Ray Brown <ray.brown@...>