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Re: THEORY: vowel harmony [was CHAT: Another NatLang i like]

From:Raymond A. Brown <raybrown@...>
Date:Saturday, June 26, 1999, 16:15
At 11:29 pm +0200 25/6/99, Kristian Jensen wrote:
>Raymond Brown wrote: >> >>That, surely, is the nasal *spread* that Matt was referring to? >> >>I could see no examples of vowel harmony in any of the examples.
Sorry - I should've said, I guess, _mere_ vowel harmony. [....]
> >Well, just because none of the examples quoted had affixes to >demonstrate that, it does not mean that there isn't a harmonizing >feature.
Obviously. [....]
>>The nasalization affects _consonants_ also. It seems to me we a feature o=
f
>>nasality which spreads across a domain that effects both vowels and >>consonants (even tho some consonants 'resist' it), i.e. 'nasal spread'. > > >Now I'm confused. Doesn't spreading and vowel harmony have a lot to >do with each other? The reason why nasalization spreads to consonants >as well is because nasality is a feature that can indeed be easily >applied to consonants. Other vowel features that are harmonized like >front/back or roundness are not that easily applied (if at all like >front/back) to consonants.
So can features like roundness & unroundness. Some languages have dental/alveolar sounds and/or velar sounds with & without lip-rounding. Both Russian (and other Slav langs) as well the Gaelic langs show that consonants can have fronting & non-fronting (palatalized & unpalatalized, 'slender' & 'broad') features as well as vowels. Examples of rounding and of fronting speading across whole syllables are legionary. I believe there are some languages where such features spread across broader domains, tho I don't have notes to hand.
>In other words, vowel features like >front/back 'spreads' less easily across vowels in a morpheme than >nasality. So front/back harmony is much like saying 'front/back >spreading, just as well as nasal harmony is much like saying 'nasal >spreading'.
Yes, yes - they both spread; and harmonizing is involved in both features. But I've always understood vowel harmony to be just that: _vowel_ harmony. Any effects on intervening consonants are, as I understand it, minor. The harmonizing is certainly spread over a domain, usually roughly equal to a 'word', but essentially is a harmonizing of vowels. I assumed when Matt wrote: "Really? I know of languages with nasal *spread* (Mixtec, for example), "but I've never heard of a language with nasal *harmony*. Examples?" =2E..that he was asking for similar examples of nasal vowel harmony. The sort of features described for Desano have been familiar to me for many years. I assumed Matt would be aware of this and that that was what he meant by 'nasal spread'? What else would it mean? Maybe all I should've written was: "How is that different from nasal spread?= "
> >_Desano_ > suprasegmental tier [+nasal] > /| \ > segmental tier johso -> [Jo~hso~] 'kind of bird' > >_Mongolian_ > suprasegmental tier [-back] > / | \ > segmental tier kobagun -> [k=F8begyn] 'boy, son' > >(Mongolian example courtesy of "An Introduction to Phonology" by >Francis Katamba) > >So from a multi-tier perspective, IMHO, there isn't much difference >between the front/back vowel harmony (or spreading) from nasal >harmony (or spreading).
Maybe not much - but in the first example the initial _consonant_ is changed to harmonize. I see no evidence in the example above of a fronting or palatalization of any of the Mongolian consonants, tho certainly all the consonants are capable of being so modified. --------------------------------------------------------------- At 5:07 pm -0500 25/6/99, Nik Taylor wrote:
>"Raymond A. Brown" wrote: >> The nasalization affects _consonants_ also. It seems to me we a feature =
of
>> nasality which spreads across a domain that effects both vowels and >> consonants (even tho some consonants 'resist' it), i.e. 'nasal spread'. > >So, then, you'd define them as: > >harmony: affecting only vowels >spread: affecting all phonemes
vowel harmony - affecting only vowels I understand that examples of consonant harmony do occur - but books seem vague on this. I assumed that when Matt talked of 'nasal spread' he did mean that. Guess I should've waited for Matt to reply first :) Maybe this is just a matter of semantics. ------------------------------------------------------------------ At 1:32 pm -0600 25/6/99, dirk elzinga wrote: =2E....
> >I then went on to describe the harmony system of Nez Perce, where the >harmonizing sets don't seem to share much in the way of phonetic >similarity, making the harmonizing feature rather unobvious. These sets >are: > > R =3D {i, ae, u} > D =3D {i, a, o} >
[snip]
> >Several people guessed that tense/lax might be the harmonizing feature, >and this is indeed my analysis of it, although I use the somewhat >different feature of tongue root retraction rather than "lax", since >"lax" implies the absence of a tensing gesture, while what is happening >in Nez Perce is an active retraction of the tongue root.
Yep - I agree, that is a better analysis. When I was writing about Igbo vowel harmony, I was a little unhappy about the lax/tense description. Retracted/non-retracted is, I think, what this sort of vowel harmony is about. [snip]
> >Whew! That's a lot of phonology. Gotta luv it!
I do! I do! Ray.