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Re: Featural Alphabets (was Re: Boustrophedon and Chinese (was Re: A single font can

From:Jörg Rhiemeier <joerg_rhiemeier@...>
Date:Saturday, October 15, 2005, 16:19
Hallo!

Herman Miller wrote:

> I had a sort of "featural alphabet" before the list, but it was > cumbersome and I never really used it. I believe it was called Atylat or > something like that. The Gargoyle alphabet from Ultima VI also has > featural elements (as much as Visible Speech or Tengwar, at least).
It is not easy to come up with a featural alphabet that is neither cumbersome nor bedeviled by letters looking all too much alike. I can tell because I drafted and tossed several featural scripts.
> [...] > > Francis Lodwick's "Essay towards an Universal Alphabet" (published in > 1686, and mentioned in an article in Jim Allan's book _An Introduction > to Elvish_) appears to be more or less a featural alphabet, as far as > the consonants go. > > Here, I found a picture of it on an Italian web page: > > http://www.soronel.it/Universalfabeto.html
Nice! I wonder how much Tolkien was influenced by it.
> But probably one of the most "featural" of scripts would be Otto > Jespersen's "Analphabetic Notation". Each phonetic sound is written as > an unwieldy string of Greek letters, numerals, superscripts, and > symbols. Daniels and Bright's _The World's Writing Systems_ gives the > example of [n], which is written as αâ??β0fγâ??δ2εɪζ3 (the "f" should be a > superscript).
Peter Bleackly once invented a featural code based on the Latin alphabet, later to be aptly named "stribography" (which means `twisted writing'): http://listserv.brown.edu/archives/cgi-bin/wa?A2=ind0309B&L=conlang&P=R2825 It won the 2003 Andreas Award. Greetings, Jörg.