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Re: Pronouncing Tokana (was RE: Importance of stress)

From:Paul Bennett <paulnkathy@...>
Date:Thursday, January 27, 2000, 21:53
[note: I have "fixed" the attribution at the top, as it looked somewhat
like David had been wrongfully accused of saying something that I'd said]

On 27 Jan 00, at 11:38, Matt Pearson wrote:
> Paul Bennett wrote: > >I don't recall if the following is even vaguely close to what Matt > >intended, but I say (I *think*), in a fairly close x-sampa: > > > >WARNING: This is my first attempt at closer-than-normal transcription! > > > >/t_d_hoU_^<M>"k_hA:\<ML>.n6<L>/ > > I'm afraid I can't begin to decipher that.
In other words: Syllable 1: t{dental}{aspirated} o U{asyllabic}{mid-tone} Syllable 2: {primary-stress} k{aspirated} A{half-long}{mid-falling-tone} {syllable-break} Syllable 3: n {lowered-@}{low-tone}
> "Tokana" is pronounced with > stress on the penultimate syllable. The /t/ and /k/ are both unaspirated, > and thus often sound voiced to an English speaker's ear (e.g. my boyfriend > imitates my pronunciation by calling it "Dogana"). As for the vowels, > the /o/ is a short back rounded lax mid-vowel, similar to the "au" in > "caught" (for those speakers who distinguish "caught" from "cot"), or > else like the "o" in "sort". The /a/ is as in "father". There is > no appreciable difference in length or quality between the stressed > /a/ in the second syllable and the unstressed /a/ in the final syllable. >
Okeydokey, that means I'll now pronounce it: /t_dQ<M>"kA<ML>.nA<L>/ Which is a heck of a lot easier to read, don't you think! I automatically give it a fairly dental (/_d/) "t", ISTR something about this from your webpage? If not, then that's the way it feels most natural to me. The /n/ is backed from dental to alveolar thanks to the preceeding /k/. Heck, don't ask me why, it's almost entirely instinctival... --- Pb