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Re: Hiatus in Artlangs

From:jesse stephen bangs <jaspax@...>
Date:Monday, November 13, 2000, 21:25
Elliott Lash sikayal:

> Leo Moser ániyë > > If we opt for two syllables, we get such initial > combos as the following: > Initial [dj] in: *dieto, *dieno, *dialo etc. > Initial [sj] in: *siesto, *sievo, *siamo etc. > Initial [kj] in: *kiano, *kiepto, *kielo etc. > Initial [vj] in: *viato, *vieno, *violo etc. > Initial [gj] in: *giapo, *gieno, *giosto etc. > Initial [bj] in: *bialo, *biento, *biesto etc. > Initial [mj] in: *mielo, *miano, *mioso etc. > Initial [fw] in: *fuoco, *fuano, *fuero etc. > Initial [lw] in: *luano, *luego, *luiso etc. > Initial [pw] in: *pueblo, *puepo, *puoso etc. > Initial [gw] in: *guano, *guero, *guido etc. > Initial [kw] in: *kualo, *kueno, *kuoto etc. > Initial [dw] in: *dualo, *dueno, *duito etc. > Initial [rw] in: *ruano, *ruino, *rueso etc. > > Would these be safer to define as three syllables? > What differing effects would the results have in > an artlang? Would it be easier to sing in one > form or another? Would poetry be easier in > one form or another?
In poetry it would probably be variable, since most languages have allowances for reduction or elongation of vowels to meet poetic demands. Poetry is always a somewhat artificial communication form. Yivríndil, to answer the question, allows no initial consonant clusters in theory, so all of the above would be three syllables. However, there are a handful of words like "vierda" which in rapid speech probably becomes [vjerda]. It is possible that initial consonant clusters of Cy are becoming acceptable because /y/ (=[j]) is an exception to most other rules involving consonant clusters: for example, there are no consonant triplets unless the third segment is /y/ "tarnya" "to live." ObConlang: I've always thought that a Yivríndilization of something like "Kristian" with an illegal /#kr/ would be realized as /karistian/, using an epinthetic /a/. However, it might come out as /kyistian/, with the English retroflex approximant being realized as the palatal approximant. A more euphonic possibility, IMHO. What does kristian think?
> > Sorry if I'm a little late in responding to this topic, > but I was visiting some friends in Boston. Anyway, > in Silindion they would definitely be pronounced as > three syllables, except for the fact that only combinations > of e and i + a, o, u occur. Furthermore I have noticed > that e and i become closed vowels rather than open > (i.e. /E/ > /e/ and /I/ > /i/). All this has a great affect on > poetry since it works with a system of syllabilic and > stress alterations. > > Elliott >
Jesse S. Bangs jaspax@u.washington.edu "It is of the new things that men tire--of fashions and proposals and improvements and change. It is the old things that startle and intoxicate. It is the old things that are young." -G.K. Chesterton _The Napoleon of Notting Hill_