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Re: Morning Prayer in Jases Lalal

From:James Worlton <jworlton@...>
Date:Wednesday, March 10, 2004, 14:08
>>> Lelandconlang@CS.COM 3/9/2004 11:44:03 PM >>>
This is a rough translation of the first prayer in the Eastern Orthodox morning prayer service. (I may remark I am translating a number of Christian texts into Jases Lalal (and hope to do Jewish and Muslim ones) because the local religion has certain stylistic similarities to the Abrahamic religions, being monotheistic and patriarchal (I would not pretend all modern Jews or Christians are patriarchal, but the style of the religious literary tradition tends to be.) Zajew Zasal Morning Prayer Zases zabax, mawab, wawew babal hahha sasasyh Heaven's holy king, comforter, truth's spirit all places (in) babbe fahah kakoh habse, zahaleh kapas fahah bafeh bahab, are and all things fill, blessings' treasury and life's giver babvez fahah babyf sahsez. Hahha dadadyh kavav babof come and us (in) dwell. All evils from us zardez fahah babek zawuh babef badazoh kadvez. purify and your goodness-by our souls save. The original (in English translation) is: O heavenly king, o comforter, the spirit of truth which art in all places and fillest all things, the treasure of blessings and giver of life, come and abide in us. Cleanse us of all impurities and of thy goodness save our souls." I may note the "of thy goodness" raised the issue of causitive (recently discusssed here in another context); I take "of thy goodness" to be intended to be causitive ("because you are good, save us") but Jases Lalal has no separate causitive case. The options were either instrumental (zawuh) "by goodness" or locative plusadposition (zawyh kavav) "from goodness." I chose the instrumental at the time, but I think locative might be better. John Leland ======================================== Is there a reason that ~87% of your words (26/30) have two syllables? I know you mentioned in an earlier post that phonology is not your main interest, but at some level that has to play a part. I was just thinking of the audible flow of the text, which to me comes of as strong-weak for [nearly] every word. To my ears, that is too regular for prose, though not for poetry. (I tend to prefer languages with a healthy mix of word lengths.) Just curious... James W.