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Re: CHAT: Religions (was: Visible planets)

From:Isidora Zamora <isidora@...>
Date:Saturday, November 15, 2003, 1:23
> > What have you got against the iconostasis? > > That it blocks your view? > >How Western of me!! ;) Don't get me wrong, I like >the icons themselves, and prefer them to statues. >I really don't like the idea of not being able to >witness what's going on around the altar. The >whole point of Mass was to commemorate the Last >Supper (I forget what the Eastern churches call >it);
The Mystical Supper.
> and I don't think Jesus went off into a >secluded place to take care of business. This >probably comes in part from the fact that since >the 1960s, RC churches switched from using the >high altar (which is oriented like altars in >Eastern churches) to using a central altar table >which is plainly visible. My whole experience in >churches of any denomination has been one of >plain visibility. Even in the Tridentine Mass, >you can see what the priest is doing at least.
Eastern Church buildings, and the physical building is called a "temple," are laid out like the Jewish temple. The sanctuary (the part behind the iconostasis) is the Holy of Holies, and the Iconostasis is the curtain that separates it from the Holy Place - the nave.
> > The > > view is better during Bright Week (the week > > including and following > > Pascha=Easter.) During Bright Week, the Royal > > Doors and the Deacon's doors > > are all wide open all week, as are the doors > > (if there are any) to the narthex. > >Now, I went to a Byzantine Liturgy a couple >months ago and the Royal Doors were indeed closed >except for, I think when they either brought the >Gospel out or when they brought the gifts out. >(Can't recall the precise moment now.) When I was >up in Syracuse last month (first Sunday of >October, and it was Ruthenian), the Royal Doors >were open for the whole Liturgy.
Yes, I had forgotten that it was a matter of rubrics whether the Royal Doors are opened and shut during the Liturgy or are left open. Conservative rubrics have the Doors opening and shutting all the time, and there is also a curtain that is drawn at times behind the Royal Doors, at least in Russian practice. The curtain would probably drive you nuts.
> > So what other decorations made up for the > > presence of the iconostasis? >Well, the icons themselves, for one are a big >draw. I also like placing a varying icon out in >the nave for veneration. (The only object of >veneration in the RC church that I'm aware of is >on Good Friday when they put out a big cross in >the floor of the nave.)
There are absolutely always at least two icons out for veneration (Christ and the Theotokos), plus there is often a seasonal one. In addition to this, the walls are generally fitted out with as many icons as there is room for. The cathedral of St. John the Baptist in D.C. has these beautiful stitched icons (they're as good quality as painted ones.) They also have an amazing number of relics out for veneration. You really need to come to Church half an hour or so early just to take your time venerating all the icons and relics. (It helps if you know the letters in the Church Slavonic azbuka, however, because practically everything is labeled in Slavonic. (It's always nice to know exactly whom you are venerating, you know.)) Holy Friday, the Cross is out, until vespers, when it is taken down. After that, there is the plaschenitsa (sp?) to venerate. It represents the burial shroud of Christ. It's a cloth icon of Christ after He has been taken down from the Cross. It is placed on the tomb (for which I know neither the Slavonic nor the Greek word) with a Gospel book and venerated. As with the Cross, we make prostrations in front of it before venerating it. Actually, the Cross is out for Veneration three times during the year, on the third Sunday of Great Lent (and this is the only time when we are allowed to make prostrations on a Sunday), on the evening of Holy Thursday through Vespers of Holy Friday, and at the Exaltation of the Holy Cross in September. In any case, there is *always* something out to venerate.
> The altar itself was >nicely adorned, and the vestments were slightly >different and much more pleasing than the tired >polyester retro-70s look you still get in many >Roman vestements and decorative styles.
Eastern vestments are awfully nice. I think they get hot, though. A fully vested Orthodox priest will be wearing, from the bottom up, street clothes, an undercassock, a cassock, then two layers of vestments. The best liturgical brocades that I have seen come from Greece. The priest at the Antiocian parish in Lexington has a couple sets from Greece. The red ones feature a metallic gold wheat motif, and the white (Paschal) ones have circles made of interlaced whatevers, and inside the circles is: IC | XC _____ NI | KA (Well, sort of. That's the best ASCCI art I can do.) It's an abbreviation for "Jesus Christ conquers by the Cross.
>And although I did a stint as church organist >(Methodist), I really am drawn to the idea of a >sung liturgy where people actually participate. >[Personally, I am sure the Cambriese Liturgy, >from Ill Bethisad, is sung as well.] I also liked >the Byzantine Mass I went to cos even the >readings and the Gospel were sung. I'd only ever >heard the Gospel sung once in a RC Mass and liked >the sound of that very much.
There are different sorts of reading styles, depending on the nationality and musicality of the clergy involved. Our priest is not especially musical, but that's ok. Some days, our choir isn't, either, especially if the director is sick. That's not so ok. But we muddle through anyway. It's a relatively small parish that we go to. So how often do you attend an Eastern Rite parish? Isidora

Replies

Costentin Cornomorus <elemtilas@...>
Isidora Zamora <isidora@...>