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Re: CHAT: Best/Worst/Missing Scenes in LotR

From:Patrick Dunn <tb0pwd1@...>
Date:Saturday, December 22, 2001, 1:13
On Sat, 22 Dec 2001, Christian Thalmann wrote:

> ********************* > *** Spoiler Alert *** > ********************* > > > Phew! =P > > I've just seen the movie, and I'm pretty much blown away, as I expected > from all the good that the critics said. However, I was a bit > disappointed at the quick pace; many chapters in the book were > compressed into a fleeting scene or two, which gave it a certain > superficial feel -- but that's to be expected due to the limited > duration of the film, I'm not making any accusations. > > Especially Lothlórien was cut much too short for my taste -- they didn't > even mention Gimli's change of mind towards Galadriel, and the elven > cloaks etc... there was no feeling of recreation and rest as in the > book, only a run-in in the woods, a glance into Caras Galadhon, the > (wonderfully enacted) mirror scene, and off they were again. > > Another thing I missed was the forging of Andúril -- shouldn't it have > happened in Rivendell? We saw the sword in its broken state, but no > mention that it had been repaired, and that Aragorn now wielded it. > Though I must say that the exposition of the Ring's history, where the > mace-wielding Sauron was defeated with the broken Andúril, was awesome. > > As for hey dol! merry dol! Tom Bombadillo, I can't say I missed him. > We have Harry Potter for that kind of audience. ;-) > > The fact that Glorfindel was replaced by Arwen doesn't bother me the > least bit either -- Liv makes a worthy appearance indeed as the most > beautiful of elves. Mmmm, those lips... (=D > > My favorite scene was the attempted crossing of Caradhras, with Saruman > chanting his spells in a utterly cool operatic voice from the uppermost > platform of Orthanc amongs the raging stormclouds. I can't wait to rip > that scene off someone's DVD. ;-) > > I'd like to hear other opinions on scenes that were missed, hated or > loved... anyone?
I agree; the pace was somewhat superficial, but it had to be. No other way to do a film; if they had stuck to Tolkein's pacing, the movie would have been ten times more boring than the books, just because the genre arouses different expectations. But I loved it. Gorgeous scenary, beautiful artwork. I felt like Middle Earth existed and I wanted very much to be there. The languages, I thought, were *very* well done. I happen to know David Salo (the fellow who did the trnaslations), and I ripped him that he must have taught the actors how to do the pronounciations because they were absolutely careful to get that alveolar tap in Mordor. He didn't; but he instructed the speech coaches. I was pleased, overall, with the whole thing, even the ending -- which caused some groans in the theater, I think. I thought the ending was daring -- and in restrospcect, the only honest, respectful way to do it. It inspired a friend of mine to work on his role playing world, Everdarke, some more. So he wrote me nd asked if I'd do the languages. He wants a protolanguage for every race, several dead languages, and modern languages for each nation. I said "yes." Sure. What else do I have to do? (aside from my dissertation, my classes, my syllabi, learning Chinese, practicing the harmonica, and cleaning my apartment). :) --Patrick

Replies

John Cowan <cowan@...>
Anton Sherwood <bronto@...>
And Rosta <a.rosta@...>