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Re: DISC: phonological system of Adain

From:Aidan Grey <grey@...>
Date:Friday, March 15, 2002, 1:27
At 03:09 PM 3/14/2002 -0700, you wrote:
>Thanks to Aidan for letting me put my resolution to the test.
You're welcome! And thanks for the comments, and allowing me to put the recent discussion to the test.
>>Basic phonology: > >You mean "inventory", right?
Yes.
>>Length: >> vowels (both simple and diphthong) are long or short. The distinction >>is represented orthographically by geminate consonants or clusters >>following a short vowel in stressed syllables. Unstressed syllables are >>always short. > >Okay. You realize that this orthographic decision will leave you >without a clear way of representing long consonants (you mention the >possibility of long consonants later on).
Maybe it should be said that length is always present in the stressed syllable, either on the vowel, or on the consonant, which is thereby represented in orthography as geminate. Clusters are considered long, which forces a short length on any given vowel or diphthong. son /sown/ vs. sonn /son:/ cauba /kawb@/ vs. caubra /kCbr@/
>> Short Long >>a @ a >>e E e >>i I i >>o o ow >>u U u >>au C aw >>eu U ew >>ai E aj >>ei I ej >>oe U oj >>ae & /aj/ or /ej/ (dialectal variation) >>ao E ew >>y @ @ (or wedge /^/ ?) >> >>A couple minimal pairs: >> son /sown/ vs. sonn /son/ >> taov /tewv/ vs. taovra /tevr@/ > >So long /ew/ is matched with both /U/ and /E/ orthographically?
Yes. The diphthong _eu_ arose through natural processes, whereas _ao_ arose later to deal with the development of the length rule. Originally, _ao_ represented something more like /aw/, but dissimilational processes and vowel drift ended up turning it into a fronter diphthong.
>I also wonder why you choose to use <ao> for short /E/ and long /ew/ ...
The development of /ew/ is described above. Hopefully it makes sense. As to /E/, it seems to me to be the unstressed variant of /ew/, perhaps by way of o-umlaut. Does that explain the back vowel used to represent front diphthongs/vowels?
>>here's the part I'd like the most comments on (is it realistic? Do I make >>sense? anything else?) > >It seems that there might be some extra-linguistic history behind >some of the orthographic decisions you've made. Fill us in.
Well, there may be, but mostly it is what _looks right_ to me, so unless it's critiqued as being confusing, or unrealistic, etc., I don't really know what to say about extra-linguistic history. The variation between f and ph, v and bh, for example, really depends on what looks right to me. I _think_ that it is f or v, with ph or bh only appearing at the end of a word (because I really don't like the look of either of them in final position). _oe_ is the same - I just don't like how _oi_ looks. In cases like this, I usually create something else ad hoc to explain why. For example, the "mythical" transliterator of the alphabet was a woman named Har Sceillen, and she set things up the way they are. This means that I will use her whenever handy to say "because Har did it that way!" ;) Or, I can explain orthographic choices in terms of the original sounds. _oe_, for example, was much less of a j-glide diphthong at one point, and more like a w-glide diphthong, something like /wI/, only with a very much weaker /w/. Maybe something like a frontish schwa that was eventually strengthened.
>>Words normally retain the characteristic length of their stressed vowel >>throughout declension or conjugation. In the case of a long vowel or >>diphthong preceding a cluster (due to derivational or inflectional >>processes), this should result in a short vowel (and sometimes it does. >>However, in general, the long vowel transforms into a diphthong, preserving >>length visually if not entirely phonemically. For example, the verb >>_ser_ /ser/ 'flow' becomes _saerra_ /s&rr@/ in the future conjunct (in >>-ra). This transformation turns front vowels and j-diphthongs (except oe) >>into ae and all others into ao. > >I think I understand what you are doing, but I don't understand why. >Why is it important that syllables preserve the appearance of length >if they are not in fact long?Is this another extra-linguistic >orthographical decision?
Yes, I think this is an extra-linguistic feature. Again, looks are important. Let's see if I can come up with a plausible reason for it. Perhaps the a- of the ae or ao was originally just there to indicate length in a situation where length should not exist. Over time, the a- was incorporated and a diphthong was created, and the short and long pronunciations developed by analogy with the already extant diphthongs. This would make these "long long vowels" arise through a complicated development of orthography and pronunciation, which I think would imply that writing kind of hit all at once and caused changes on its own. A preliterate society that was suddenly taught writing, which everyone liked, and learned to do fairly quickly. Oh, I should mention that the ae and ao also arise due to compensatory lengthening (usually a result of disallowed clusters like -nthr-, where the n induced nasalization, which became length, which was written with that extra a-, which became pronounced, and so on..).
>I'd also like to see more examples of the >"transformations" you mention.
I'll try to show some long versions of ae/ao as well.. ura 'water' + -na 'stative verb affix' > urna (by syncope), but -rn- in disallowed. the r was historically always a rhotic, and in disallowed clusters tended to cause length thus the u > aona. Why ao and not au - no one knows (unless you have a good idea!). maybe there was once an au and an ao, but ao took precedence to disambiguate from the standard diphthong, and ai followed suit. or something. > aona 'be liquid' ser 'flow' > saerra 'about to flow, going to flow' (fut conj) vir 'hurt, ache' > vaerra 'going to hurt' dom 'eat, chew' > daomra 'going to eat' lur 'play a wind instrument, blow' > laorra 'going to play' Note that these future conjunct forms can act as stative verbs in their own right: Laorrane taela don paunden o. play:fut-IMPF-3sg all_day when stop-IMPF-1sg 3sg-OS He was about to play all day when I stopped him. verbs with long diphthongs would just revert to short pronunciations. You know, know that I think about it, its starting to sound like I shouldn't call this length, but just a function of stress. Excewpt how do I explain unstressed vowels in stressed syllables (like sonn)? Perhaps this is why syllables can only end in continuants, because only they can be long? In stressed syllables, either the vowel or the cons. is long/stressed: seph /se(:)f/ vs. seff or sepph /sEf:/ nar /na(:)r/ vs. narr /n^r:/ Does this sound like a better explanation of what's going on?
>So if a syllable ending in a consonant precedes a syllable beginning >with a cluster, won't this produce a cluster of three phonemes? If >not, what are the rules of cluster simplification?
It would, technically, produce 3 phonemes, but they're not allowed, so the cluster changes. clusters beginning with n, l, or r > drop the continuant, replace the vowel with comp. lengthened (or whatever i should call it) ae or ao see ura-na > aona above. clusters beginning with m, p, b, f, or v > create a w-diphthong. If the vowel is already a diphthong, a new diphthong is created modeled on the short pronunciation of the original diph. ham 'sit' + thrann 'branch' > hauthran 'perch' (nn>n because not immed. foll. the stressed syll). taum 'occasion' + thrann > (touthran >) tauthran 'puberty' au short pron. is /C/, which is enough like o or a that either could result. However, ou always became au, and the pattern is still productive. clusters with d, t, g, c, or their homorganic fricatives > create a j-diphthong. ledh 'separate' (stem led-) > lei- before a cluster-initial word in compound. clusters with s before a stop+cons cause stop > fric. -str- > -thr- clusters with s or h before a fric+cons > s drops, fric is devoiced if appropriate. -svl- > -fl- clusters with h before stop+cons > drop h, devoice stop if appropriate I think that's everything for clusters. i'm about to address your other post on my euphonic rule... Aidan

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Dirk Elzinga <dirk_elzinga@...>